Sara Porkalob applauds Seattle Children Theatre’s production of And In This Corner: Cassius Clay, the origin story of Muhammed Ali, the “activist, champion, musician, and poet who would shape the political conversation around Black oppression, empowerment, and white supremacy.”

Sara Porkalob finds Seattle Public Theater’s seasonal offering, Christmastown: A Holiday Noir, a “nicely packaged Christmas story and a breath of fresh air with its sneaky feminist themes.”

Andrea Iaroc and the review team highlight the sociopolitical commentary of Markeith Wiley’s experimental talk show It's Not Too Late at On the Boards.

Nelle Tankus's new work with Copious Love The Untitled Play About Art School leads by example with conscious, diverse, and deliberate representation of gender, sexual identity, and race.

Sara Porkalob examines the dialogue–or lack thereof–of feminism and intersectionality in Washington Ensemble Theatre’s Revolt. She Said. Revolt Again by Alice Birch.

Sara Porkalob asks "who let this happen" of Jim Leonard's Bad Apples—a semi-fictional rock musical account of the 2003 prisoner abuse scandal at Abu Ghraib prison in Iraq at ACT Theatre.