Performance Critiques
Social Satire for the NPR Crowd? Intiman Theatre's Native Gardens
Steph Hankinson and the review team examine the wildness, wickedness, and wokeness of Intiman Theatre's production of Karen Zacarías's political comedy Native Gardens.
Intersections: A Celebration of Seattle Performance - Comedy, Representation, and Intersectionality!
The DeConstruct team interviews Intersections Festival curators Natasha Ransom, Kinzie Shaw, Jekeva Philips to discuss opportunities to showcase the diversity of the Seattle performance scene.
Seattle Repertory Theatre Re-tells the Black Experience in Two Trains Running
Anthony Reynolds and the review team highlight how Juliette Carrillo’s production of August Wilson’s Two Trains Running emphasizes the diverse and positive history of the shared Black experience “without the influence of white perspective to heavily mask their stories.”
Queer Performance in Unsafe Spaces: The Nance Looks Back at New York Theater's Censorious Past
Liz Janssen and the review team provide much-needed additional historical context for ArtsWest's thought-provoking and well-performed production of The Nance.
Cherdonna's A Doll's House: The Plural and Irresolute Nature of Contemporary Feminism
Lydia Heberling and review team highlight WET's commitment to bridging the gap between Ibsen's “progressive feminist plot” and the plurality of postmodern feminism in Cherdonna's A Doll's House.
Performing Immigration (sort of): Donald Byrd’s ‘The Immigrants’
Laura Chrisman and the review team question the in/visibility of immigrants and American citizens in Donald Byrd’s (Spectrum Dance Theater) ‘The Immigrants’.